My Entry for the Samyukta Media Contest

Published on Wednesday, December 7th, 2011

On the Wings of a Butterfly

Tom, Dick and Harriet, stranded on an island.

Wondering how to get back to civilized land!

Tom wracks his brain, and tosses his mind.

A rescue idea he is unable to find.

 

Dick knows just how to paint an SOS sign,

But has neither ink nor paper to draw even a line.

Harriet is tired, and she is Oh! So scared.

Holding a sign that says let her be spared!

 

Each one worries about his own plight,

Ignorant about pooling the resources in sight.

And then above them hovers a little butterfly,

Thinking pitifully, why the three will not try!

 

Why don’t they connect, chat, and moderate.

If they could only remember how to cooperate!

The butterfly from Samyukta Media sprinkles a little dust,

That gives them the “mantra” to do as they must.

 

Tom, Dick and Harriet, turn to each other, and reach out,

The way they would do, if the internet was still about.

They then recall the magic of social networking,

How problems can be solved by connecting.

 

Thinking fast, and deliberating together.

They look beyond, above and further.

They find the perfect plan to set them free.

They make a dye from the roots of the coconut tree.

 

Harriet offers them the use of the peace sign.

Dick paints HELP in letters bright and fine.

And then Tom climbs up the tree so tall.

To place the sign that will save one and all!

-        for Samyukta Media. Contest Code: SM2CNov2011

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Tell me a story …

Published on Wednesday, December 7th, 2011

… And I will write it for you.

Everybody loves a good story, specially if it’s their own. However, few people have the time or the inclination to put their story in words. The rich and the famous employ biographers, or ghost-writers, or are covered by journalists, and the media, but the real stories from “round the corner” remain in oblivion.

I write, and I edit, and I know that wonderful stories remain untold, unknown, unsought! Not because they are not worthy of being told, but because no one had the time and resources to listen to these stories, and to put them in just the right content, intent, and format, so that the world could read them.

I offer an opportunity to all my friends, acquaintances, readers of my blog and my extended social network, to approach me with their story, in any format – words, thoughts, audio, pictures – and I will weave in the magic of just the right measure of words, imagery, and pace, and give you a piece that you will cherish.

… And this is just the beginning. When we like what we see, we will work on getting the world to read it!

Start today, and bequeath your story to posterity.

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The Season of Being In-Print

Published on Monday, July 11th, 2011
The months of April to July 2011 have been quite interesting on the writing front. First, I ambitiously went ahead and entered an online tournament to create a multimedia rich online profile, complete with a summary, review, glossary, and author profile for one of my favorite books, on the British website – www.bookdrum.com. As the owners of Book Drum put it succinctly on their home page – “Book Drum is the perfect companion to the books we love, bringing them to life with immersive pictures, videos, maps and music.”  

It was interesting site at my home that day, when I received an email from Book Drum moderators, inviting me to take my love for reading and writing a step forward by entering the competition. I was suddenly rummaging for my favorite books through piles of toddler clothes, and heaps of toddler toys. When I couldn’t find any that I actually wanted to profile for the competition, I realized all my favorite books had been relegated into the background, since I became a mother. So, hubby was coaxed into a he-man act of opening the bed-boxes, taking out the huge cartons that contained my books, and holding back his anger while I suddenly dumped books all over the place.

I had many favorites to chose from – The Lady and the Unicorn, Fahrenheit 451, Brave New World, and 1984, but I finally settled for Siddhartha for two reasons – one that it was a slim volume, and second I wanted to showcase a work that spoke about the history and the beauty of Indian religions and culture.  

Weeks of researching, rummaging, recalling, interpreting, writing, editing, embedding, and compiling resulted in a multi-media rich profile that I believed was compelling. I could also get some of my friends to contribute their travel photographs for this writing venture. However, the sheer volume of information that I had compiled in a few weeks time was the reason that I didn’t win the tournament. As the editor wrote to me:

Dear  Aneesha

 I have now edited your profile, and we will be publishing it and featuring it on the homepage on Monday.  Please would you have a quick look through and let me know if you spot anything out of place?

 The judges were very impressed by the sheer volume of fascinating material you assembled, but they felt that perhaps that very volume might put some readers off what is, after all, quite a simple and short book.  It’s a good point, and you might like to consider whether there are some bookmarks that are less relevant, or which could be more concise while still giving the great insight you bring.  I would also love to see a few more pictures of gorgeous Indian/Nepali scenery, costumes and temples (it’s very video-heavy at the moment).

 You should be able to edit the profile once it’s published.

 All the best, and well done on a really impressive body of work.”

Even though I couldn’t win the competition, and even hubby asked a loud, and clear, “Why” in disbelief (showing that he did care), I was happy to be able to contribute to this monunmental work of creating book companions that can help readers traverse all boundaries of age, culture, and geography. When I have some free time to spare, I would like to continue adding to this great online reading companion. Till then, for all those, who have had faith in my ability to write, this book profile of Siddhartha is dedicated to you: http://www.bookdrum.com/books/siddhartha/9788129102041/index.html.

The second writing/publishing act also took during this phase, when I was contacted via this blog, by the editor of Hinduism Today that prints about 15,000 copies of every issue, distributed in 14 countries, and is created by the monks of Kauai Aadheenam. He wanted permission to publish my blog on Khajuraho, in an edition of the Magazine, featuring UNESCO World Heritage Sites in India. Needless to say, I was more than happy to oblige, and now my article is featured in the July edition of the Magazine available online at:

 http://hinduismtoday.com/modules/smartsection/item.php?itemid=5188

These are two instances, other than of course, the short story – The Muse – being  featured in a collection of short stories by bloggers ­– The Eleven –  when having a personal blog space has led to my work getting published.

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The Last Song

Published on Thursday, April 28th, 2011

The tranquility of breaking dawn is a paradox for it truly makes one aware of the faintest of sounds. Aditya rubbed his sleepy eyes and looked out of the window, for the first time conscious of the dim strains of the tanpura and the slow melodious ring of her voice floating in the early morning mist. He sighed, thinking that it was time to allow her to spread her wings. Maybe her talent did deserve merit, he thought, as he closed the account books, which he had been peering into all night long. He marked off the last item from the to-do list, for the big decision was already taken.

In spite of so many years in a foreign land, Ipsita had not given up her dream to become a playback singer. The youngest and prettiest of five sisters, she was married young to a handsome and promising NRI, when her aging father was on his deathbed. Initially, she had relented and even told Aditya that she could not marry him because she wanted to audition as a playback singer. But Aditya, mesmerized by her beauty, convinced her that she could come back to Bombay after a few months in the States, and then try her luck. He promised to get her the best Hindustani music teacher in Chicago, so that she could continue her riyaaz. He diligently kept one part of his promise for there was hardly a day when Ipsita did not practice under the guidance of her Guru, but it had taken twenty years for Aditya to be completely true to his word.

For two decades Ipsita had put her dreams on the back foot, making way for more pressing responsibilities of motherhood, and as a socialite wife, but she unwittingly instilled a part of these dreams in her daughter. Nishita’s childhood fairytales had been stories of the world of glamour and the dazzle of Bollywood, as her mother spun the yarn about the great riches, glories and fame of stardom. Nishita grew up imagining herself a part of this glitzy world and now she wanted to see it for real.

“Pops, when’s our next trip to India?”

“Why?”

“’Cos, this time I may just not return with you guys.” Nishita smiled sweetly.

“You are finally marrying your chat buddy in India?” Aditya played along.

“Maybe yes!” Nishita smiled playfully. “But before that I want to explore a career in modeling.”

When Nishita shared her teenage diva ambitions with Aditya, her mother took the opportunity to push her own desire to take one last shot at becoming a playback singer. Aditya had been able to rein in Ipsita’s ambitions, sometimes with generous showering of love and gifts, and on other occasions with a matter-of-fact approach by stating family and supporting his business venture as her primary calling. But now the tables had turned as he wanted to help his daughter in her professional quest. The time seemed appropriate for Aditya from a business perspective too, for his enterprise in Chicago wasn’t doing very well, and he wanted to reap the benefits of his previous investments rather than making new ones. All said and done, they were finally moving back to India.

Dreams have an audacious capacity to obscure reality, slowly glossing over the truth, giving leeway to the probability of the false being almost true. Ipsita had been stuck in a time warp where she imagined a world she had once known by virtue of her mother being a part of tinsel town as a junior artist. Her teenage friends from the movie sets, who had continued to linger around, had made their own mark in showbiz; Lolita was a well-known theatre artist doing art movies, while Anushka was a sought after fashion designer. Ipsita had been in touch with her friends, often entertaining them at her home in Chicago while they were on foreign trips. She now banked upon them to help her meet some of the big music directors.

“You know they still remember you. They ask where is that shy girl you used to hang around with − the one with the most captivating of voices.” Lolita had told her once about the inquiry from the music director duo of her new movie. Some still recalled her as the lead singer in the choir at Aakash Vani, the radio station.

However, when Ipsita contacted Lolita and Anushka with the news that she was coming back to the city that was now known as Mumbai, and she wanted have a get together to discuss her prospects as a playback singer, she sensed a trail of reluctance on their part. It was good that she did not see the smirk on their faces, or the jokes that they later made about her “still young at heart” aspirations, for it would have shattered her spirit. Or, maybe it would have been better had her heart been broken just then!

Ipsita landed in Mumbai with a purpose − to make her presence felt among the who’s who. To publicize her intentions to join the music industry, she started to entertain. The first few weeks in their newly acquired beach house was a flurry of activity, where Ipsita introduced her beautiful daughter to the Page 3 crowd, and sang at her own parties. In a matter of time, Ipsita was all over the celebrity columns of tabloids, as a wonderful hostess and a talented singer, and Nishita was admired for her “fresh looks”, but neither mother nor daughter could pull any strings on the professional front.

Amidst all the sounds and lights, Aditya was getting disconcerted about the expenses involved and the unsolicited media attention, which would also sometimes throw spotlight on him as “a-businessman- who-was-out-of-business”. Aditya confronted Ipsita, prodding her to curtail the party expenses, and directly meet the people who could show her and Nishita the way. Aditya’s trepidation encouraged Ipsita to talk to the music directors and the radio artists she had known, about making a “comeback” if it could be called one. However, no one wanted to ride their money on an aging horse, and when it came to Nishita, she was considered amateur for an immediate professional assignment.

“There is only one way to do it. Launch both of you together on your own merit and then they will come to your doorstep with their business.” A suave, crisply collared, coffee sipping Kanishk Mehra looked straight into Ipsita’s eyes, almost daring her to negate him.

When Ipsita had not been able to gain any ground on her own, Anushka had suggested that she hire a PR person who would do the door knocking for her and showcase her talent. Ipsita was sold on the idea, and after interviewing a few enterprising young people, she had selected Kanishk. His greatest asset was that he seemed to know the way around tinsel town, and she struck a bargain deal with him to handle her as well as Nishita’s career.

“Things are so much easier these days. You have mp3 and mpeg, and free websites and YouTube.” Kanishk explained his plan to leverage new media.

“We will record a song, and have Nishita model in a short video clip for it. Then we will distribute the audio-visual files and we will soon have people wanting to know the singer and complimenting Nishita’s work.” Kanishk talked non-stop, enthused with his own idea, planning along as he spoke. While they concentrated on Ipsita’s side of the coin, they would utilize the time by having Nishita enroll in a modeling school, where she would also make friends and contacts. His ideas were alluring; the only problem was with the funding − who would sponsor this plan?

Kanishk had all the answers.  It was no secret that Aditya had money, and it was also evident that he was getting jittery hanging around the humid air of Mumbai, with nothing much to do. The self-imposed and early retirement was not doing him any good and he was desperate to get back into action. Kanishk played on Aditya’s restlessness and suggested that he use Ipsita and Nishita’s launch as the ground for starting his own artist co-ordination agency, and probably also have some stakes in the audio-visual industry.

The smooth talker that Kanishk was he quickly roped everyone in. He was like Aladdin’s Djinn; you throw a request or a problem at him and whoosh, out came an instant response, a clever idea that had everyone absolutely adoring him for his presence of mind. He always made things sound so simple, so easy. When Ipsita asked what song she would record, he flipped open his laptop and read out the lyrics he had written for her to sing; when she asked about who would arrange the music, he pulled out his cell phone and confirmed next day’s appointment with his friend, Amulya, who was an aspiring music director and had loads of new tunes to offer. And so on and so forth − Kanishk had booked the recording studio at minimal hourly rates, he had the perfect low budget production team to shoot the video, and he also had the perfect shooting location at another friend’s farmhouse.

Kanishk’s deadliest trait was that he was a charmer. While he became Nishita’s closest buddy, mall-hopping, and shopping with her, chaperoning her to parties and fashion shows, he saved his warmest smiles for Ipsita. Marriage, as a way of life is usually characterized by a predictable pattern, a slow, steady mechanical rhythm that often creates a white noise between the couple, making it impossible to hear the voices of the heart. Ipsita and Aditya were engulfed by such a white noise that made it difficult for them to listen to and reach out to each other and now with their individual ambitions, the distance and the loneliness was growing. Moreover, Ipsita was entering a phase of self-doubt, of a middle-age crisis and she sought compliments and strength and conviction, and all these were provided by an adoring Kanishk.

Ipsita was constantly flattered by the attention Kanishk gave her, fascinated by the faith he had in her talent and grateful for the mature company that he gave Nishita, who would also have her own days of boredom and gloom.  He would write songs for her and attend her early morning riyaaz sessions, bring her tulips and lilies, and take her out for lunch. All in all, Kanishk became the stronghold in Ipsita’s flimsy career plans, and he became the weakness of her not-so-strong heart. Kanishk had her eating out of his hands; she was ready to oblige his requests for her time, attention, and most significantly money.

On his part, Kanishk ensured that things moved on professionally. He pulled strings to make Ipsita a part of some music concerts. He talked a fusion band into having Ipsita render the Gayatri Mantra at the start of their stage show. He had her record the alaap and the classical invocations in some of their songs. He had a journalist friend, cover the shows and write about Ipsita, praising the mature and trained voice. He had a stylist choose her wardrobe and do her hair, giving her personality the required traditional Indian touch. By the time Ipsita had recorded their first song, he had gained the confidence of his client and their sponsor. The ball had started rolling – only to hit a roadblock.

When it was time to work on the video clip, Kanishk’s enthusiasm took a staid dip. He suddenly became lethargic. Ipsita thought it was overwork and she happily gave her blue-eyed boy an all-paid vacation in the hills. Kanishk went and returned, but not to work. He would ignore her calls and did not come to their makeshift office in the basement of her house. The biggest surprise came when the bills started pouring in from the recording studio, for Ipsita was under the impression that Kanishk had paid the studio upfront. She was getting jittery, and though she was ashamed to admit, she was getting lovesick, missing the attention and the love that he showered on her. Unable to restrain herself, she took a cab and headed to Kanishk’s studio apartment.

“Ah? You? Well, come in” A bleary eyed, unshaven, and disheveled Kanishk opened the door. Astonished at first, but quickly gaining composure he invited her into his bachelor’s shack.

“What’s wrong with you? I mean, you look haggard!” Ipsita was taken aback by his unkempt appearance for she had always seen him well-groomed and in the best of spirits and it hurt her to see him like that – so uncared for.

“Nothing much. Just been unwell and tired.”

“But you never called. You never answered my calls.”

“I know. I am usually like this when I hit a creative block. I retreat into my world. I have been working very hard on the video concept, and when I was back on track, I came down with malaria.”

Ipsita’s heart went out to a visibly distraught Kanishk. She neither broached the matter of the unpaid bills nor expressed anger at his truancy. Sympathy, thus garnered, Kanishk was back in Ipsita’s good books, who even offered to pay for his cab rides to office and around town, for a month, so that he didn’t strain himself driving in Mumbai’s traffic.

Kanishk reappeared with renewed energy and started working on the script for the video. He took an advance from Aditya to book the dates with the production team, buy the props, rent the dresses, and block dates at the editing studio. Things were gaining pace. He would brainstorm the script with Ipsita and Nishita, writing and erasing, calling Ipsita late at midnight to share the scene he had envisioned. He kept Nishita on her toes, discussing dresses, shoes, makeup, her proposed onscreen persona, and the nuances of acting. Within a few days, Kanishk declared that he was all set for a one-day trial shoot.

“Why a one-day shoot; why not do the entire sequence in a day?” Ipsita asked.

“Because, if you do not like what you see in print, it can be redone with minimal loss of mullah. But if we do the entire video clip and then you don’t like it, we will be landed with that roll of film. Moreover, a one-day schedule will be strenuous for Nishita.” Kanishk explained.

It made sense; most of what Kanishk dished out always made sense. The crew and the cast reached the farmhouse and the shooting began in earnest, much to everyone’s relief. Kanishk exhibited a highly professional, even obsessive side of himself at the location, fretting over the minutest details, having long discussions with the camera person regarding light and angle and even getting impatient with Nishita when she couldn’t get her expressions right. Ipsita was impressed and touched by his sincerity and passion.

Back home, Kanishk was still driven by a wild energy and he spent hours at the editing studio, personally supervising the editing and dubbing of the clip. Everyone waited eagerly to see the results and then move on to completing the project. However, the day when he was supposed to show the clip to them, Kanishk didn’t turn up. His mobile was switched off and he was hard to trace. After waiting for a week under Aditya’s questioning glare and Nishita’s nervous outbursts, an annoyed Ipsita knocked on Kanishk’s apartment door. This time there mutual surprise was replaced by mutual confrontation.

“I got it all wrong, and I have been trying to redo the script.” Kanishk revealed.

“What?”

“Well, after I saw the short clip, I realized that the scenes didn’t go well with the soundtrack and Nishita’s looks weren’t mature enough to match your voice. I have to rethink a storyline and possibly work on Nishita’s getup.” Kanishk explained after gulping down water straight from the jug on the table.

“How can you decide on your own? You haven’t shown the clip to us; the editing studio doesn’t have a copy; the production team is calling to ask when the next shoot is! How can you be so callous?” Ipsita raised her hands in exasperation. “And then there is Aditya. He wants to see what he has been paying for.”

“For you guys it’s about the money and the end results. For me it’s about creativity, perfection, art, beauty; it’s a showcase of my talents and my work.”

“For all of us it’s about talent and work. You are not alone in this. You have to involve everyone and take opinion. Remember it’s not your show alone.” Ipsita tried to curb his obsessive streak.

“What do you mean it’s not my show? Lady, let me remind you it’s been my show all along. You were a nobody, a struggler, lost in the crowd, and I have been instrumental in getting you closer to your goals.” Kanishk retorted, his nostrils flaring with emotion.

“Closer to my goals!” “Where, how? I can only see myself standing in your ramshackle apartment every now and then.” Ipsita blurted out.

“Well, that’s because you don’t want to do the work that comes your way. The Soul of Music guys offered to record an album with you. You denied.”

“Record a “bhajan’” album! Before long I will be singing in religious functions. I want to become a playback singer in Bollywood and it’s your job to ensure that I do.”

“Well, then let me do my job and stop interfering.”

The argument and tears that ensued was just the beginning and similar episodes were frequently repeated. Sparks flew and resulted in a meltdown and in the bargain Aditya burnt a lot of cash. Nishita, was of course, more flustered and confused than she had been back in Chicago.

It took months and many more trips to the farmhouse with the production unit for Kanishk to complete the two-minute video trailer for Ipsita’s debut song. He continued to be eccentric and it became evident that he had a drinking problem, which explained his periods of truancy and moodiness. It was challenging for Ipsita to handle his waywardness. She started bribing him to complete the assignment at hand. She wanted to wrap up the project as soon as possible because she was answerable to Aditya for all his investments. Everyone was waiting for a finished product.

Ipsita’s aspiring career was hanging in the balance, the thin strings threatened to be ravaged by the passage of time, and even Nishita was impatient to get work and to be recognized. Until they had the audio-video clip in a presentable format, they could not circulate it. Kanishk knew that as soon as he finished her project, Ipsita would wash her hands of him, at least professionally. He continued to dilly-dally, blackmailed her with his truancy, manipulated her emotionally and drained her physically. Every passing day became an embarrassment of sorts with the production house and the editing studio calling after unpaid bills. Ipsita realized that Kanishk had pocketed most of the money given by Aditya and now she was in debt. She did not have the courage to tell Aditya the truth. She would have nightmares wondering what if any of the aggrieved parties directly contacted him.

Troubled over the loss of time and money, and guilty of how she had allowed herself to be emotionally blackmailed by Kanishk, Ipsita lost focus on her career.  She was more concerned about clearing up the messy trail she was leaving behind before Aditya caught a whiff of the muddle. She finally took a difficult decision to sell some of her jewelry to pay off all the bills. The act left her feeling relieved but in disdain of Kanishk. She decided to confront him again to hand over the final copies of their work.

Ipsita asked Kanishk to meet him for lunch at the Emperor Hotel. She said she wanted to treat him for all the hard work he had been putting in, and she hoped that he would bring the final video clip. Kanishk arrived on time, neatly dressed, looking sleek and professional, carrying a pen-drive with a copy of the video clip. He was in the best of spirits, and all charming, as he hugged Ipsita, and rubbed off the musk of his aftershave on to her cheek. Ipsita’s heart missed her beat, only to flutter uncontrollably, when Kanishk connected the pen drive to her laptop and played the entire two-minute clip for her.

It all looked so beautiful − the yellow and green of the mustard fields, merging with the red of Nishita’s skirt, the sun glistening off the little mirrors in her blouse, the song fleeting through the air, on the wings of a dewy rustic breeze. Ipsita’s eyes filled with tears, a sigh of relief escaped her lips, her shoulders quivered just a little with the intensity of emotion, and Kanishk held her hands, looked in her eyes, and whispered, “Love your voice, and love you too!” The moment was magical, the instant was worth celebrating, and the duo switched from mock tails to cocktails, and moved by the poolside to discuss how to go forward with the publicity.

“First things first,” Kanishk mumbled as he played with her hair, “we have to create and launch a website, where we will upload this video. You don’t want to be running around with CDs and then having them stashed away in the shelves of the music directors. You want to give them a web link they can click anywhere, any time!”

“You go ahead, you work on the website,” an excited Ipsita had chirped. “Do what you will, but give me the CDs to distribute. They can listen to it when they drive. They can share and talk. Let’s not leave any stone unturned.”

“Sshh! My baby, not so fast! Don’t go around distributing these before I get the copyright.” Kanishk had unveiled the new twist making Ipsita all the more confident that he knew the professional angles.

She let go off her guard, and floated in the numinous land of daydreams, where she was a well-known singing sensation. Kanishk continued to regale her with anecdotes, and plans, with kisses and caresses, and the day ended with the promise of love and recognition.

Back home, Aditya and Nishita were also impressed with the finesse and the beauty of Kanishk’s work, though Aditya doubted if it really cost as much as he had paid for. And now there were the additional expenses of getting a website designed, of getting high quality CDs cut in the recording studio, and of other legal requirements. However, seeing the elation in the air, the gleeful banter of his wife and daughter, he opened the moneybags just a little bit more.

Ipsita and Kanishk continued to meet, and Kanishk wrote more songs for her, and created content for the website. Things looked rosy, but it wasn’t long before the rose started fading. Soon after payments were made for the website domain and designer, the rush and the haste took a downslide, and came to a gradual halt. Enamored by the clandestine romance and the hope that they were running the last lap to the finishing line, it took a while for Ipsita to realize that Kanishk had again taken her for a ride. Aditya and Nishita’s edginess of snapped her back to her senses.

“It is time for another rap on Kanishk’s knuckle,” she innocently chuckled to herself, as she plumped up the cushions in her living room, and decided to call Kanishk over for a strictly business lunch. Little did she know that the final blow was coming her way!

“Memsahib, jaldi jaldi, TV on karo!” An excited voice rang from the kitchen through the hallway. Ipsita rushed from the living room in to the kitchen, with Nishita in tow. The housemaid was wringing her hands, pointing at the TV, and saying, “Aapka gana! (Your song!) Ipsita and Nishita looked at the portable TV on the side counter, and sure it was the song that Kanishk had penned for Ipsita, the one she had practiced so many times that everyone in the house recognized even the faintest tune.

Mother, daughter stood dumbfounded, as the music clip trailed to a stop, the credits appeared on screen. A well-known audio company was launching a music album, sung by and featuring the winner of a television music show, and introducing the fresh talent of Amulya Adhikari, a composer and Kanishk Mehra, a lyricist.

“Mom, what’s going on?” a wide-eyed Nishita asked. Ipsita looked at her helplessly, trying to figure out what was actually happening. A hazy picture appeared before her eyes.

“Mom, wasn’t this supposed to be our launch video?” Nishita almost screamed. “I am going to call Kanishk, I am going to find out; or wait, did you by any chance allow him to go ahead and give his song to the album company?”

 And then Ipsita knew that Kanishk had sold out on them. He had ridden piggyback all along, using their money, probably acting as Amulya’s agent, show casing his writing talent and ideas, and getting a big break for the composer-lyricist team.

“Mom, he wants to speak to you.” Nishita shouted from the living room. Ipsita’s heart was in her mouth; who wanted to speak to her – Aditya or Kanishk – and in her foggy mind, both stood as one, mocking her, admonishing her. She stumbled into the living room and picked up the receiver.

“I hope you are happy for me! You should be if you truly love me, and I hardly doubt it, especially when I look at our photographs from the all those intimate afternoons.” Kanishk laughed menacingly into her ears. Ipsita put the receiver down and looked at Nishita with pain and defeat in her eyes.

The next morning was truly tranquil for even though he strained his ears, Aditya didn’t hear her voice rise with the sun, and compete with the birds.

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Metaphorically Yours@Dhobi Ghat

Published on Tuesday, January 25th, 2011

This weekend, at the cinema hall, the murmurs and deficiency of mental engagement in the audience proved that Indian cinema-goers have little patience for metaphorical movies. Entertainment, which sometimes stoops to the crass or is downright violent, is what the public wants. Dhobi Ghat, an intense and artistic movie, is not striking a chord with the regular audience as it lacks commercial extravaganza. However, the failure of Guzaarish also proves that even large scale commercial cinema can take a rap on the knuckles, if it touches upon serious social and personal issues.

One of the criticisms that Bhansali’s larger than life project, Guzaarish, received was an unfinished climax. This highlights another aspect of our audience – we don’t want our art to be meaningful, or have something left for thought or imagination. We like happy endings, and if not happy, then spoon-fed endings. While Guzaarish leaves you with the ethical dilemma of near and dear ones forced to take euthanasia into their hands, in the face of an insensitive legal mechanism, many people failed to realize the point. Is it also because of lack of awareness, is a question that one may ask.

Dhobi Ghat dishes out a close-knit conclusion of four distinct stories. Its disengaging spirit may then be credited to the use of metaphors and more importantly to the matter-of-fact depiction of reality (sans the melodrama). Dhobi Ghat is an intricately woven and craftily treated movie – in less than two hours, the script touches all the major ingredients of a complete Mumbai experience – dirty jobs, lonely housewives, lonely artists and lonelier NRIs, drugs, high society, the underworld, a fast-paced life, Bollywood aspirations, diaspora, street life, glimpses of festivals and even the concept of a private sector sabbatical. However, it fails to impress majority of the movie buffs, and that is where its failure as a commercial flick lies.

Critics have been gentler when passing their judgment and some quarters have even given “rave reviews.” Most reviews have spoken about cinematographic excellence, and skillful characterization (all have emphasized on the fifth character, Mumbai) but most have skipped reference to the strong metaphors, and the intelligent detailing. Here are some instances of allegory that have stayed with me – Arun catching raindrops in a glass of wine (a symbol of allowing a part of nature, or as critics would love to say, a part of Mumbai, to slowly seep into himself); and a parallel drawn with Munna catching the rain drops from the dripping roof of his shanty. Another beautiful image is sketched, when Arun scrubs clean Yasmin’s silver trinkets and adorns the little pieces; it is self-abandon at its best, a delicate portrayal of how Arun wants to reach out to Yasmin – the slow transformation of Yasmin into his muse. The flashback shot of Arun touching a toe-ring also has great energy and leaves much to the viewer’s imagination. And then there is this image of Yasmin walking into the sunlight at Elephanta caves; a clever depiction of the culmination of her story. Yasmin’s video tapes are, of course, loaded with the best of the moments of revelation, innocence, and façade, and make for exhaustive study.

Interestingly, there was one conspicuous representation of the class divide that was not missed by the “murmuring audience” – when Shai’s maid brings tea for Munna in a glass tumbler. Such images are not lost on us because they are a more vivid replica of our own psyche. I can also not forget where Munna hides his money – in a cassette player – for the one with few resources every tidbit of commodity is an asset. Munna is ashamed when Shai discovers his part-time occupation as a rat-killer but remains impervious to her reference to his involvement with a married woman. It shows the stigma attached to unclean jobs, but how immoral indulgences are just another way of life. In fact, this is quite a paradox because at a certain point in the movie, Munna tells his friend that at least his occupation as a rat-killer brings in honest money. Such is the life of ordinary man – always in a fix to select between right and wrong, to find equilibrium between matters of social class and matters of the heart.

Shai is another strong character, who is also a slave to her emotions. She categorically tells her friend that though she knows what happened with Arun was just a one-night stand she has this feeling of non-fulfillment. Shai represents the educated, independent woman, who subconsciously cradles basic instincts to belong and to be cherished, as the ultimate measure of being complete as a woman. There is another tangent to Shai’s character; she probably depicts the average American (or global) tourist, who is more interested in the lesser known social and economic classes, and customs of India, than the average Indian himself.

Dhobi Ghat is a rich movie – while watching it, I felt that this would have made such an engaging book to read. Pages and pages could be filled with the metaphors and the images; the potential is endless, the audience selective, and the impact irrevocable. And for the rest of the gentry, there is always the next reality show on TV, or raunchy commercial movie at the cinema halls.

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Where Angels and Fools both fear to tread

Published on Tuesday, April 27th, 2010

The age of gossip is over; it’s the time of supplementing spicy bits of news with hard-hitting tangible proof. The price of an unscrupulous lifestyle can be high; for that matter the stakes can be high for the scrupulous, too. For where technology overrides common sense, and manipulative techniques reign supreme, even Angels live in dread of being dragged into a controversy. And a controversy which is not whispered in the shadows, but one that is most probably aired on National television.

“Masala News” is a heady concoction and it has invoked hideous monsters like sting operations, gossip columns, thus pushing sex and sensation to the headlines. So, be it the escapades of a romping swami, a gay professor, a top golfer, controversies surrounding a nuptial vow or the nationality of one’s spouse, or even a profitable political deal gone wrong – everything is a scandal demanding public attention.

Gossip, usually has an innocent, almost childlike appeal and conjures up images of women giggling over their knitting, or men sharing juicy news while indulging in even juicier pan at the corner pan shop. What we are talking about now is malicious and destructive information that can ruin reputation and even take lives. We have now graduated from the “harmless” gossip to outrageous voyeurism, complemented with pictures, videos, audios and large dollops of imagination. I say imagination because the authenticity of most of the information is always questionable and mere speculation ends up becoming top news. Use of technology instead of lending validity to the news, in fact increases its dubiousness because of greater scope of falsification through editing, dubbing, superimposition, and what not.

Critics supporting the cause of technology-based rendition of news can say that the use of technology has increased the instances of vice and unscrupulous behavior being caught on camera or on tape, making it almost fool-proof to nail and punish offenders. So far so good; but what about the innocent (or even not so innocent, yet not the “big bad wolf “kinds) who are being made targets for blackmail, threats, and unwarranted attention, through some juicy bit of private detail duly captured (or even fabricated to dire proportions) using technology.

It’s a time when even the most common of us live in dread of old ghosts of the pasts or new conjured up spirits. The worst part of today’s world is that while the simpletons and the honest folk are becoming more conscious and concerned about their reputation and their social actions, the unscrupulous are continuing to devise ways and means to flourish and promote their crooked schemes. Where retribution didn’t cause fear of crime, it seems as if the fear of being caught has added greater thrill to the act of committing a crime. And to complete this vicious circle is the very act of voyeurism and misuse of technology. To top it all is the loss of credulity of the media – it’s becoming difficult to discern fact from fiction and we have a modern version of the little shepherd boy who screamed “Wolf, Wolf” for fun, and risked his life when people stopped responding to his false cries for help.

We are living in difficult times and it seems the world is becoming even more fear-centric with all of us peering into each other’s glass-houses, while afraid that our own glass walls may come shattering down upon us any day!

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Random Notes on the Role of the Modern Woman

Published on Tuesday, February 23rd, 2010

Last week two news items caught my attention and had me pondering over society’s obsession on consigning women to traditional roles of child bearing and child nurturing. The first news item centered around Aishwarya Rai and a rumor on why she wasn’t able to conceive and with her not getting any younger, how her in-laws were worried about the impending delay in a new addition to their family. The second news item was how “People judge mothers based on work status.” The article centered on the notion that “People favor not only a mother, but also her child and their relationship when she is not employed outside the home full time …. People also devalue mothers employed full time outside the home, relative to their non-employed counterparts, and perceive their children to be troubled and their relationships to be problematic.”

It is evident that however beautiful, educated, mature and socially skilled a woman is, the most dominant aspect of her life (of course, after acquiring a husband) is to bear and rear children. While being a spinster or a single mother can earn society’s permanent ire and make you the biggest source of spicy gossip in town, the failure to have a child within a year or two of marriage, can make the “unlucky” married woman an even more endearing topic for social tattle. Having married late myself, I have been through both these stages in my life – the persistent questions on why you are not married “as yet” and then after marriage, “you should get pregnant soon because age is not on your side!” While marriage and pregnancy go virtually hand-in-hand in conventional societies like ours, the other angle in the triangle is pregnancy/children and the working woman status. So, it’s not just about getting married, and having children, but also quitting or taking break from your job because now society has decided not to look favorably upon the children of working women.

I became aware of this trend last year, when many young parents giving interviews for nursery school admissions for their toddlers, realized that while the mother’s educational status earned brownie points, the school administration was concerned about how a full-time working mother would take care of the child’s educational needs and whether there was ample family support at home in the absence of the mother. Children who spent time in day care centers or crèches lost some points in the evaluation process.

A confusing scenario; a messy state of affairs – women are supposed to be well-bred, educated and enlightened but at the same time their individual choices and career preferences have to be compromised in the face of pushy social norms. While men have always required women to work side-by-side with them – be it in farmlands, or orchards, or managing entire households and the finances while the men were at war or away on voyage – it is the modern trend of equal financial contributors that has added to the role of the women. In most families today, the burden of loans, lifestyle and spiraling expenses is forcing reliance on double-income and when this trend started more than a decade back, there emerged the concept of DINK – Double Income No Kids. But as women developed work-family life balance, social and familial demands on compliance to traditional child bearing and rearing roles were reasserted.

If we give it an unbiased thought there is nothing wrong in defining and demanding fulfillment of procreation related primarily responsibility from women; after all it is only a woman who can give birth and who can sustain a child and its needs in the first few years. The question, however, arises as to what is society doing to help women fulfill this primary responsibility! Taunts, discrimination, gossip, negative opinion, and unfair comparison will only make women resentful and defiant, making strong women assert their independence, and shrugging off their procreative responsibilities; or on the flip-side, women may succumb to the pressure and relegate to traditional roles with education, and awareness also become secondary, and slowly unnecessary.

Ultimately, both the courses of action are going to be detrimental to the social fabric. In fact the latter concept of women only as vessels of procreation has been described in Margaret’s Atwood, The Handmaid’s Tale and the author does not draw a pretty picture. Atwood imagines a dystopian world, where women are denied pleasure, education, and freedom and are only sustained in civilized society by a system that needs them as fertile procreators.

Striking a balance between two discordant ends is always a challenge for any society. The position of the modern woman and the biologically defined prime role required to be fulfilled by her, has brought her into the spotlight. However, we cannot attain much by putting her in the spotlight, demanding compromises, and making her responsible for all the consequences. The right perspective would be for society to demand answers and resolution from within; by formulating rules and laws that make it easier for women to find a perfect balance between being a woman and being a career woman! Men (and women), who are in a position to decide and establish, should take stern measures in this direction, making working hours, working places, medical facilities, child-care facilities and work breaks favorable for women.

It would also make it easier for women to maintain a dignified front when faced by issues affecting their fertility, if other women in society nurture well-being instead of ostracizing such women. Even if we ignore the financial contribution that women are today making, we cannot ignore the part that educated and independent women are playing in uplifting the situation of the less privileged women and children. It becomes imperative in this context for women to support each other in fulfilling their predefined responsibilities while protecting the dignity and sanity of all those women who are also fighting against medical and social conditions to become mothers. Ultimately, most women are destined and determined to be mothers, but its society’s responsibility to make a fulfilling experience and a rewarding responsibility.

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Creativity Redirected

Published on Wednesday, February 17th, 2010

This blog space has not seen much of me and neither has my maiden attempt at novel writing. It is a typical case of all my creative energies being redirected and focused on another all-important, all-consuming process of creation – the creation and sustenance of a new life.

In June 2009, on returning from a visit to Nahan, I decided to take a day off from work to rest my travel weary bones and as if on cue, I started working on the outline of a story, which slowly emerged into a vaster concept. After a few paragraphs, it seemed worthwhile to venture deeper and mould it into a novella, if not a novel. As I kept typing the thoughts, scenarios and character sketches, I became more and more engrossed and passionate about this creative adventure.

And as if the Universe conspired to encourage me, I came across the group NovelRace on Facebook . I joined the group and was further encouraged by a competitive streak to go on diligently writing each day to reach the October 31st deadline and have at least a first draft ready. The group force and strength was contagious and compelling and I had many pages of structured composition before me, with the storyline intricately woven.

However, by end of July 2009, things started slowing down. I was getting increasingly restless, weak and nauseous. My strength was dwindling and my mind was wandering and slowly my disciplined daily writing and regular blogging endeavors took a back seat and a visit to the doctor became imminent. After many days of anxious waiting due to false test results, Manish and I finally came to know that I was pregnant. We were glad but skeptical, considering my past health records in this context, and as the morning sickness attacked me with vengeance everything else was relegated into the background.

From close monitoring in the first trimester, to moving to US in the second trimester, to being diagnosed with gestational diabetes in the beginning of the third trimester and now being close to the due date in mid-March, it seems I redirected all my life forces, and creative energies to this one significant activity taking place within me. Even after the travails of the first trimester were over, I could not go back to working on my novel, or even blog to my heart’s content. Fear and skepticism regarding the baby’s well-being and the obsessive counting of the weeks as they went by kept me in a state of mental limbo, a state of nonchalance towards anything other than the little reassuring flutters in my tummy. Of course, I was still working but that was mechanical, more duty and goal-oriented and I wasn’t doing much to feed my creativity. Even reading was random, irregular, and dissatisfying at some point because the mind was never at rest.

Concerns about the baby’s well-being grew when I was officially diagnosed with gestational diabetes, and had to go on a strict diabetic diet. Once again, swinging between restricted diet and hunger pangs and closer medical monitoring, there wasn’t preference to pick up the strings on my ignored creative adventures. Slowly, the weeks went by, reassuring me that things would be fine, and today after what seems like ages, I have had this inclination to write and talk about the life growing within me, as the 35 weeks+ countdown to the delivery-day begins. While putting all other things at rest, I set my priorities and my life-force towards the most significant milestone of my life and I am patiently heading towards the finish line. As I entered the safer zone of the third trimester, I started reading with greater concentration and rediscovered another hidden passion in Crochet, about which I will blog later.

What I realized from this experience was that Creativity in any form definitely feeds on your life force, it imbibes, and emerges from something deep within you and you have to give it all that you possibly can. Whether it is fanning the fires within with passion for a Muse, or having a mind at rest from all other cares of the world, Creativity is a jealous child – an all-demanding, all-consuming force that compels and commands single-minded devotion, dedication and energy. Whether you feed it with intense pain or pleasure, with dominant passion or intense absorption, your enthrallment with your creative side has to be complete and undivided. No wonder, many bright and creative individuals over time and centuries have been known as eccentric, withdrawn, silent, moody and even autistic. Physical well being can also be a defining factor, but may not be necessarily one, since we have had some great works of art and literature from people of weak constitution. With all things worldly, there are exceptions and many may not agree with the concept that I explore in this blog, but I would love to hear about real-life experiences that say that creativity demands single-minded dedication and most importantly, a mind at rest from most things materialistic.

This, however, brings me back to the question – what will happen to the work of fiction that I have dumped in the middle of nowhere? Will I be able to pick up the strings of thought again and the flow of composition? Will my characters have the same appeal and will I be able to relate to them again? I don’t know, because I have not gone back to what I wrote. I have let the manuscript rest and I wonder if it is forever, or may be on some night in the months going forward, when the baby is safely tucked and sleeping, I may want to create again, and the typed words of “Serendipity” may beckon me from the silence.

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From the Mind’s Eye

Published on Thursday, October 29th, 2009
 Woman_and_SandThe Loss
 A shimmer of light against the silk dress suddenly broke my reverie. A sense of deep recognition translated into a crease on my forehead, followed by the loud thumping of my heart. Looking across the window, I saw the girl crossing the street and almost cried out to her. In a split second, I realized that the turquoise silk, so similar to the one my beloved once adored, was adorned by another body … unknown, unreachable, unwarranting my attention.

 Image Source: http://pixdaus.com/single.php?id=181379

I sighed. I was unaware of how long I had been sitting there. A message had been dropped at home by a client who wanted me work on his new project, but I was too drained to start work anew. The creative juices had been sapped out, the strength depleted; a part of me it seemed had followed her to another world, across the astral plane. I would look at the stars at night and wistfully whisper her name, imagining she was one of the million stars, and I could coax her to come back to me. The glimpse of a shooting star in the dark horizon had filled me with hope, but as the stars disappeared into the fold of dawn, I knew my entreaties were futile.

He came to meet me on the insistence of a friend. He had initially believed that it was a manifestation of grief and hoped that I would soon recover. Everyone hoped I would recover, except for me. I didn’t want recovery, I wanted an escape. An escape into the arms of my beloved, who had so treacherously stolen me of the pleasure of holding her hand, and sharing the weirdest of my dreams and imagination. When I lost her, I stopped articulating my thoughts and my imagination was lost in the absence of rendition. Gloom was replaced by blankness, and loneliness engulfed me with strong talons when I was in a crowd. I was secluded from people and work but not from her memories. My room became my refuge – if Death had to find me, He wouldn’t have to look around much.

The Revelation

He looked uneasy standing in the doorway. It surprised me each time to see how he had still not got used to the constant curtain of gloom, despair and grievance, which hung around him by virtue of his profession. Maybe he was too sensitive to be a doctor, but here he was in the same capacity wanting to drive the ghosts away from me with a magic pill. I looked in his direction, and nearly told him that I was not haunted by ghosts of the past, but under the spell of love and longing. His eyes met mine and he cleared his throat.

“I hear you have not been keeping well.” He said, as he sat down.

“A man is not allowed his share of silence. If I am silent, does it mean I am unwell?” I retorted.

“You need some fresh air.” He prescribed, as he checked my pulse and blood pressure, and thrust a thermometer in my mouth.

I rolled up my eyes in exasperation but I did not resent the probing. Sometimes, it’s amusing to see another human being take the trouble of knowing you better, when you have lost yourself in the maze of your thoughts.

The doctor was murmuring something about taking a blood test for I had a fever. I was looking at the electric kettle in the corner of the room, oblivious to the arrangements that the doctor made to draw a sample of my blood. I had switched on the electric kettle minutes before, and a steady line of vapor rose in the air. As the syringe pricked a vein, I could almost feel the pain of the water as it smoldered and was transformed into steam. Transformation from one form to another was instantaneous but not without complex occurrences.

The steam became a mist, rose further up and spread across the room. I stood in the morning mist, unaware of my surroundings, when a vision quickly flitted before my eyes. The rustle of the leaves, sounded like the rustle of her gown, a strange tinkling seemed to be the sound from the tiny ornaments in her bracelet, while the call of the nesting birds beckoned me to follow her.

The rustling and the whispering were replaced by the shuffle of feet and a self-conscious monotone. I only heard the doctor say he was leaving but would be back tomorrow with the report. I got up to close the door behind him and switched off the kettle before the mist engulfed me again.

The Transformation

“The treatment you took two years back has failed. The infection has set in again, and your neglect has accentuated the festering. It’s irreversible. You have invited Death to your doorstep.” The doctor admonished me as the unopened envelope containing my blood reports, lay unattended on my lap.

I let his words sink in. A brief glow illuminated my face and my eyes glimmered with the light of a madman. I could have hugged the doctor but I displayed restraint. Some thoughts are best left to be caressed and relished in the realm of solitude. My lips expressed gratitude for his efforts; my heart uttered gratitude to the powers above, for cutting short my pained existence. I was filled with elation – the thought of union with my beloved predominated any other idea. What did the doctor say – “a couple of months, maybe a quarter of a year, not more than that.”

“How will this time pass,” I mulled. “Maybe I will take up the editing job that was offered to me. It wasn’t a long project anyway.” I decided.

The smell of the first showers intoxicated me. A gust of wind sprayed my face with icy rain drops, as I reached to close the window. I took a deep breath. The showers were heavy and had caught unaware many passers-by. A tiny puddle was created and a small child splashed in the water gleefully. I could almost feel the pleasure of the child, and in my mind I protested more vehemently than him when his mother pulled him away with a slap on the bottom. The child in me wanted to enjoy the rain and the mud. I felt light-hearted and child-like.

Somebody had sent me flowers – pink roses. I touched the petals, and they felt baby soft. Or was a baby’s skin soft like a rose petal, I thought. In my mind’s eye I almost touched a baby swaddled in pink cloth. I sighed at the miracle of life; I was almost amazed by the thought of life. A movement caught my eye. A tiny insect was scrambling within the folds of a pink rose. Each time it tried to get to the further end of the petal, from where it could escape, it slid down into the deeper recesses. I felt sorry for the little insect. I felt compelled to assist it in its escape. Without even my realizing it, the call of Death and obliteration were becoming alien to me.

My editing chair creaked as I looked at the speckles in the corner of the still. I had to remove them and I stared leisurely into the computer screen. I was enjoying this task and was putting deep thought into each frame. I will replace the speckles of dust with silver flakes as if the ground she walks upon becomes precious with each step that she takes. I liked the idea; I closed my eyes and relished the thought. I bent down the scooped the silver flakes, and felt the sand run down the gaps in my closed palm. I suddenly, panicked. Time was running out on me, like the silver sand! I looked up at the girl in the frame. She was looking at me with a question in her eyes. “I want to live.” I told her. She smiled at me and moved on, leaving a deep trail in the sands of time.

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Fahrenheit 451 – Relevance in the Age of New Media

Published on Tuesday, September 8th, 2009

Fahrenheit451I am glad that I did not read the three dystopian novels – 1984, Brave New World and Fahrenheit 451 – as a young adult, because the intent and content of these books would have been wasted on me. I recently read Fahrenheit 451 and was amazed at the prophetic vision of Ray Bradbury. I could not only appreciate the novel in the context of our world today but also in the perspective of global history, which I was not so fully aware of in my early years of education and reading. Through this blog post, I not only want to revive the awe that I felt on reading the vision of Ray Bradbury, but also want to exhort readers to study this (and the other two dystopian novels) in the light of today’s world of proliferate digital media.

Fahrenheit 451 published in 1953 is set in a future when the written word is forbidden. “Fireman” Guy Montag, enjoys his duties as a professional book-burner. He never questions his profession, until he is introduced to the wonderful treasure of books, of sharing, of talking and listening by a young girl, who tells him of a time when books were legal and people did not live in fear. Montag begins stealing books marked for destruction and meets a professor who agrees to educate him. When his pilfering is discovered, he runs for his life, only to seek refuge in a community of individuals who memorize entire books so they will endure until society once again is willing to read.

Ever since I read this book, which was two weeks back, I could relate Bradbury’s vision to the things and activities around me and I was astonished by the emerging parallelism and similarity. For instance, the other evening, NDTV was airing a debate on banning of books. Sitting in front of the TV, I instantly recalled Fahrenheit 451 with its central theme of censorship, and I was compelled to reopen the book, and read the following lines, in which Captain Beatty explains the premise of book-burning – “Don’t step on the toes of the dog lovers, the cat lovers, doctors, lawyers, merchant, chiefs, Mormons, Baptists, Unitarians, second-generation Chinese, Swedes, Italians, Germans, Texans, Brooklynites, Irishmen, people from Oregon or Mexico. The bigger your market, Montag, the less you handle controversy.”

The entire book is filled discussions that are coming true in our modern world. Ever thought about social media induced self-reclusiveness and television-addiction; Ray Bradbury envisioned it in these two lines: “Let you alone! That’s all very well, but how can I leave myself alone? We need not to be let alone. We need to be really bothered once in a while. How long is it since you were really bothered? About something important, about something real?”

What about modern curriculum and grade-based expensive education, with students cramming up text books and competing for the highest percentile, but not able to appreciate the value of good writers and books; Ray Bradbury prophesized that this world will soon see Intellectuals as an insane minority – “With school turning out more runners, jumpers, racers, tinkerers, grabbers, snatchers, fliers, and swimmers instead of examiners, critics, knowers, and imaginative creators, the word `intellectual,’ of course, became the swear word it deserved to be.”

Overwhelmed by knowledge at your fingertips, rushing to Wikipedia to gather trivia, sapping up “breaking news” by the minute, foot tapping to chart-busters that are heard today, gone tomorrow, addicted to soap operas and “reality” television and flimsy fashion; Ray Bradbury clearly perceived it all as if he was walking amidst us today – “Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of non-combustible data, chock them so damned full of ‘facts’ they feel stuffed, but absolutely ‘brilliant’ with information. Then they’ll feel they’re thinking, they’ll get a sense of motion without moving. And they’ll be happy, because facts of that sort don’t change. Don’t give them any slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy.”

Bradbury also took a satirical but true view of modern political society. He envisioned the fallacy of political promises and social utopia – “We must all be alike. Not everyone born free and equal, as the Constitution says, but everyone made equal. Each man the image of every other; then all are happy, for there are no mountains to make them cower, to judge themselves against.”

The book is an intelligent parody on state-run monopoly, and manipulation, foolishly covered and relayed by the media, and the modern man’s quest for fun and entertainment at the expense of other people’s pain and folly. It is the ultimate reflection of a material world where lack of knowledge and pursuit of entertainment leads to subservience to the vile and the irrational. Like Huxley’s Brave New World, Ray Bradbury has imagined a world were gratification reigns supreme and human beings live in self-assured indulgence.

Though, I personally feel that Fahrenheit 451 was inspired by the book burning by Nazis and the use of words for propaganda, Ray Bradbury has himself suggested that the book was not intended as a story about government censorship but about how television and deluge of information destroys interest in reading, particularly good literature. To quote from an article published in 2007 in LA Weekly, “Television gives you the dates of Napoleon, but not who he was,” Bradbury says, summarizing TV’s content with a single word that he spits out as an epithet: “factoids.” “Useless,” Bradbury says. “They stuff you with so much useless information, you feel full.” Bradbury sees television as “opiate of the masses”. It is also interesting to note that in an age when most American houses had “box” black-and-white televisions, Ray imagined the contemporary “walled” model that incessantly transmits family dramas.

Fahrenheit 451 is on the list of “banned books.” Like the opposition to Orwell’s 1984, the opposition to Fahrenheit 451 seems to grow as the depicted society grows too similar to our own. As the truth of Bradbury’s prophetic vision unfolds between us, we can only wonder how long “firemen” will continue to put down fires and not start them!

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When the Dew Drop and the Bubble fell in Love

Published on Sunday, August 23rd, 2009

j0437368Night was bored, lighting up the same landscape. She was getting fidgety and wanted to move on to another recess of the Earth. A warm tingling sensation was creeping in as the Sun slowly moved closer into the precinct where Night reveled. She decided it was time to traverse into another horizon far from the burning gaze of the Sun.

She got up in a rush, and some starry blue sequins fell from her ornamented black dress. This was part of a daily ritual and it did not perturb her. She would have enough time to change into another black or navy blue dress, while Twilight, adorned in a deep reddish gown, awaited her arrival at the gateway of another realm.

Night shook her head despondently and her Crescent Moon hairpin fell into the lap of sleeping Dawn. “How I wish I had a wardrobe as colorful as that of the twin sisters, Dawn and Twilight.” She winced, but then she remembered her wardrobe was exclusive, and the twins shared a wardrobe and could experiment with more colors than she could.

Awakened by the rustling of Night’s sequined dress, and the sudden fall of the Crescent Moon in her lap, Dawn yawned and slowly stretched. Drowsily, she emerged in a dark blue sarong, and a pretty pink chemise. The Sun was galloping closer, lighting up her auburn tresses. Dawn felt beads of pearly perspiration on her forehead as the Sun gently caressed her. She sighed and tied her hair back with Crescent Moon hairpin, and absent-mindedly wiped her forehead as the warmth engulfed her. The little droplets fell on the grass at the hem of her sarong and were embraced by the Earth, as Dew Drops.

A tiny Dew Drop slid down the sarong and fell on the outer petal of a fresh new Red Rose. Resting on the soft petal, the Dew Drop giggled. She imagined herself looking beautiful as the red colors glittered through her transparent skin. Touched by Red, the Dew Drop felt a twitch in her heart and briefly winced, “Maybe it was the day when Love would be ignited by the fiery colors of passion”. The Dew Drop fell into a reverie with light Morning Breeze fluttering around her.

Spring was breaking in the little garden where the Dew Drop had found its new haven. Innocent chatter was heard near the Red Rose bed. Two small children had come out to play in the garden. They laughed and ran about, and fiddled with the new bubble wands that their father had fashioned out of drinking straws. They stood on the grass near the Rose bed and mixed soap and water to make bubble solution. The Dew Drop looked on with interest as the children played.

The children dipped their bubble wands into the fresh soap solution and slowly brought the wands closer to their lips, gently blowing air into the loops. They breathed life into many Bubbles of different sizes that instantly escaped from the little wand loops. The Dew Drop gasped in surprise as many iridescent Bubbles filled the air above the Rose bed. The children got up excitedly and ran behind the Bubbles that had taken flight.

A big Bubble escaped the ruckus that the children created and hovered over the Red Rose bed, taken aback by the riot of Red on the ground below. A reflection of Red caught his eye and he was as struck by the gentle passion of the color, as Dew Drop had been previously effected. Oblivious to the fate of his other Bubble Brothers, the Bubble continued to float over the Rose bed, prodded by Unseen Forces.

The Dew Drop fluttered her eyelids when her gaze caught the beautiful Rainbow hues shining from the surface of the Bubble. She had never seen anything so handsome before and she quivered with a faint sense of delight. The movement caught Bubble’s eye, and he looked down at the little Dew Drop, and was transfixed, for a moment.

“How can a Bubble survive on the hard surface of a Rose petal?” he thought. Bubbles are meant to float and touching another surface spelled instant doom for them.

The Dew Drop consciously cleared her throat, accentuating her frail quiver, under the gaze of the Bubble. The Bubble realized he was gaping at the Dew Drop, and moved slightly away from the Rose bed.

The Dew Drop was disappointed, “Why is he floating away! Does he not like me?”

And then, as if hearing her thoughts, the Bubble holding stead against the Morning Breeze floated closer to the place where the Dew Drop rested.

He cleared his throat and spelled his doubt, “What kind of a Bubble are you, which does not float but embraces a Rose petal?”

A tinkering laughter escaped the Dew Drop, “I am not a Bubble, but a Dew Drop”.

“A Dew Drop?” the Bubble quizzed.

“I was conceived on the fair forehead of Dawn, when the frisky Sun, touched her tresses, in warm fervor. I was born, when Dawn set me free to descend on this Rose petal.” Dew Drop proudly declared her Celestial origin, with the airs apt for a young lady, and a flushon her face.

“Ah, I see, so you are not a Bubble. I was born of Innocence and of the Liveliness of the Children of the Earth.” Bubble traced his birth from Earthly Virtue. “And now I float in the Morning Breeze without restraint.”

The Dew Drop looked away, and then whispered in sad tones, “Though I am a Child of the Heavens above, I cannot float and revel in the Morning Breeze like you”.

“Don’t be distressed! You have soft petals to rest your delicate self on. It is not easy for a floating Bubble to maintain its stead against the Breeze.” The Bubble voiced his predicament.

The Dew Drop was impressed by the brave stance of the Bubble. She looked at him admiringly. Bubble caught the glint in her eye and saw the tint on her countenance, “She is so beautiful, and she reflects the virtue of my mother, Innocence!”

His incessant gaze filled the Dew Drop with ecstasy. The Bubble continued to look on inquisitively and then with a mischievous grin when a sudden tug pulled at his heart that threatened to shake his entire existence. The Dew Drop caught asked coyly, “Why do you gaze at me so intently?”

“You have beautiful hints of Dawn and a heart fiery like the Sun. I revel in the warmth that you exude!” The Bubble complimented the little Dew Drop.

A glowing Dew Drop laughed light heartedly, “Stay away, least my warmth pull you down to the grass below.”

The Bubble smirked and took a somersault in the light Breeze, reflecting Rainbow shades from his bosom. “So many colors, so many vistas, a little Rainbow enclosed in a small world!” The Dew Drop murmured mesmerized by the multihued effect.

“But none to compare the ruddy colors of Love that you exude.” The Bubble spoke affectionately.

“And what do you know of Love, my free-spirited Bubble! Love sets its eyes on an object of affection and intoxicated with the wine of desire, lodges itself deep into the taverns of the heart, never to be liberated.” The Dew Drop admonished him.

“That’s where you are wrong, my beautiful Dew Drop. Love is never vanquished, it is never fettered, and it is never meant to be locked. Love rises high in intoxicated free will and lets the Spirit soar and fly beyond the recesses of the Universe.” The Bubble shared a different vision of the resident of the Land of Eros.

“I always felt Love deep down in my heart, from where it sang to me of togetherness and of longing. I cherished it and I let it snuggle deep within me, its ruddy glow lighting me from within.” The Dew Drop answered in low tones.

“Set it free, my Dew Drop. Set Love free, before it burns you down in a fire as resplendent as your countenance. Set it free to traverse across the Rainbow dressed in hues never seen before.” The buoyant Bubble flipped and somersaulted.

“Oh, how I would like to traverse across the Rainbow!” The Dew Drop exclaimed in delight at the thought.

“Come hither and float with me, across the skies, to the Rainbow.” The Bubble floated close to her and spoke endearingly.”

“I cannot leave my abode on the Red Rose. I am weighed down by the Love in my heart. I cannot rise up to touch the skies.” She sadly responded to the Bubble’s suggestion.

“I wish I could touch your heart and unleash the Love that lays hidden. Alas! I cannot come down as I am guided by the Morning Breeze and destined to remain afloat, till I reach my final abode across the Rainbow.”

“Come down! Come close to me, just once, my brave Bubble. Help me set free the Love, I have fettered for so long.” The Dew Drop requested, almost bursting with Love.

“Not once, not ever! I cannot touch you my Rose-tinted Dew Drop. I cannot let the embers of the Love within you, burn me. I must bid you adieu, my Dew Drop, and navigate the course chartered by the Morning Breeze.

“Stay here. Stay for me!” Her words were drowned by the sound of the Morning Breeze whispering a new direction to the Bubble, nudging him towards a new path.

The Bubble tried to follow the new breezy course but felt weighed down by Sorrow. The burden made it hover downwards. Even against its will, beckoned only by Love, the Bubble came closer and closer to the Dew Drop and touched it just for an instance. In that transient moment, Love was set free, and a Raindrop was conceived where once the Bubble had united with the Drew Drop.

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The R Factor of Modern Indian Entertainment

Published on Saturday, August 1st, 2009

j0236527Remixes, Replays and Reality Shows, these are the three R factors that have defined the milestones of modern entertainment, particularly in this decade. And if you may, some enthusiasts would add the Rakhi Sawant factor to this list.

Talking about Remixes they were the rage of the pub-hopping, disco-dancing young generation, who loved the idea of their own set of desi-musical beats to match their steps with. The ability to comprehend and emote Hindi lyrics while thrusting and grinding their pelvis to thumping percussion and eletronica went down very well with the younger audience.

The music remix industry rode the waves of the times, and endless volumes of remixed albums and dance numbers were churned out much to the élan of the neo-party-goers. Along with the audio-album industry, the television industry also received a great impetus with every other artist/DJ coming up with an album and a suggestive video to go with it. Television programs featuring top remixes and top pop songs of the week were widely watched.

It was also the time when the tribe of “item girls”, who have today become the star feature of all Bollywood movies, emerged. We may recall that our popular item girl, Rakhi Sawant, was also launched via a dance video, featuring a remix of the Amitabh and Rekha original – Pardesia. However, there were as many Western songs that one could remix with Indian numbers, and as many songs that one could rehash in the face of radical opposition from old-timers like Asha Bhosle and Lata Mangeshkar, to name a few. Slowly, remixes became passé but item numbers, i.e. thumping music usually with raunchy lyrics, featuring item girls became a staple of all Bollywood movies, and music directors like Himesh Reshammiya started creating remix versions of their songs, in movie albums.

Replays have mostly been associated with the game of cricket, but theirj0336366 greatest use was made in Ekta Kapoor ke K-walle serial. Never before has any other style of cinematography been used with such extreme results as to push a serial beyond 200 episodes. In the absence of a storyline, in the obligation to feed the addicted masses with their daily dose, in the desire to rake the maximum sponsorship mullah, Ekta Kapoor perfected the art of replay.

Hence, each bat of the eyelid and every trickle of a tear, the smudge of the sindoor and the sweat drop on the forehead, the teeth-gnashing and the shock, the breaking of the bangles and the flutter of the curtains, the shuffle of footsteps and the boiling of the milk, every single shot was shown three consecutive times in a swift replay, accompanied by music to suit the scene. Each replay – dhish-dhish-dhish – emphasized the severity of the situation, the seriousness of the matter, the wasting of the time of the jaw-dropping viewers. The saga of the R factor of replays on modern television continues with news channels replaying for 25 minutes, a 3- minute clip and script, and reality shows also adopting the tactics of stills and replays.

That brings us to the third most important R factor, the Reality Shows, and the reason why I actually wrote this blog, because I am wondering what will be the next stage in television after the audience has had enough of these so-called Reality Shows. “So-called”, because by now most of us have understood that these shows are scripted and seek publicity in the name of scandals and orchestrated incidents. And, alas the public memory is so short that we aren’t even asking what happened to the Anupama Verma and Aryan Vaid love affair that began in Big Boss 2, or any of these numerous scripted affairs, quarrels, tantrums, injuries and melodrama on TV.

Reality dance shows are another subset of these reality programs, where we can never be sure of whether the audience vote actually counts or is it again a well-scripted televised drama. I can’t help but recall the first Nach Baliye show, in which the final competitors, Rajyahsree and Varun Badola actually forgot their steps on stage and were hence defeated. The question is if such an exit was scripted, then why strong performers would agree to bow out. The answer may lie in the money that they are offered.

The latest controversial statement comes from a contestant in MTV Splitsville, claiming that the contest winners are decided on the Director’s casting couch. Reality show “Sach ka Saamna” also seems an eye-wash with the polygraph test done behind the scenes and the contestants feigning surprise and acting their part during the show. I guess the only Reality Shows, which are not scripted are quiz shows like “Kaun Banega Crorepati” and “Kya Aap Paanchvi Paas se Tez Hai?”

Whatever is the reality or the fallacy behind these shows, the pertinent question is “How long will the age of the Reality Shows last?” Isn’t it high time that the audience says no to these serials and demand educative, creative, and value-based entertainment? It’s also a shame that most of these shows are carbon copies of their foreign counterparts. So much for originality, specially in Indian television, because all that we are doing is aping the West, be it plugging in western beats to create remixes, or stealing the concept of never ending soap operas, in the league of The Bold and The Beautiful or for that matter copying all the reality shows. Even Rakhi Sawant ka Swayamwar, is “inspired” by the serial – “Daisy of Love”.

This also reminds me that Rakhi Sawant ka Swayamwar is much talked about with everyone wondering whether she will actually marry on the 2nd of August. While many believe that the drama queen will come up with some melodrama on the given day and get away from committing, the fact is that she has already let the cat out of the bag. In an interview to Headlines Today, she has clearly stated that this is a Swayamwar, an ancient method of selecting the groom; hence she will only select the groom, and will enter a period of courtship. So much for our Reality Show lovers, who suspect that there is hardly any reality in the show but always succumb to the fast one that is being invariably pulled on them!

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Social Media: A sociological perspective on a technological phenomenon

Published on Tuesday, July 28th, 2009

This post has also appeared in the July edition of TechCraft, one of the leading ezines in India, on technical writing – http://groups.yahoo.com/group/technical_writers_india/files/TechCraft/

My laptop has taken over nearly every waking moment of my life, and words, words and more words have invaded each nook and cranny of my existence. As a full-time technical writer/editor, I spend nine working hours (and sometimes more) poring over technical and design documents and then churning out reams of user documentation, in its varied forms. After I am done with the professional part, the remaining wits and time is directed towards maintaining my presence on the myriad social media that I subscribe to.

Social media demands that I share information on numerous matters of global as and group interest and maintain updated profiles on networked sites. As a netizen, it is also my duty to read and comment on the inputs that my networked “friends” are constantly updating, usually round-the-clock. In the world of social media, the rule is simple – “You scratch my back, and I scratch yours!”

Sometimes, I am overcome by fatigue. As a technical writer, my first love is writing, and words are the cornerstone of my being, but there are days when the barrage of information and learning, and even extended demands on my time and efforts is mind-boggling. Then I usually take a break and let my tired mind rest, but not for long, because I realize that I am becoming uninformed, particularly, from the professional perspective. Social media has become a part and parcel of our existence, more so for the technical writer, and in this article, I, humbly, attempt to discuss the why and how of this phenomenon.

______________________

Social media is a powerhouse of ever flowing information, tinged with experiences and opinions of many users, across diverse stages of learning, maturity and understanding. A decade ago, when technical writing was struggling to find a stronghold in the Indian IT industry, the greatest impetus came from the use of online groups and mailing lists. Islands of information and individual aspirants conjoined at an online abode, where they shared details of jobs, tools, technical trainings, and challenges. In the absence of established courses and training institutes, most technical writers were learning the intricacies of the usage of authoring tools through chats, forums, and blogs. The online availability of industry-wide authoring standards and trends has helped technical writers to think and write from the perspective of global users, and also come of age, in terms of international competition.

Collaboration is the key concept in all social media; and collaboration is a must-have skill for a successful technical writer. It is no wonder then, that technical writers have adapted to (and adopted) social media, as fish take to water. Technical writers across the globe are communing as affinity groups, which are usually “thin-sliced” by virtue of the professional collaboration that has transcended geographical boundaries.

Creative freedom is another important aspect of social media; and creative freedom is usually the fleeting fantasy of most technical writers. Bound by style and rule-based writing standards, and user-friendly concise procedural documentation, their time devoted to troubleshooting tools, talking XML and DITA over lunches and AJAX and Strut in trainings, many inspired technical writers have found the perfect creative let-out through the art of blogging. From writing about experiments with technology, to invoking a call for change, from future-gazing on evolving trends to just writing to satiate the creative streak, technical writers have a vast presence in the blogosphere.

Trainings have become simpler because of social media; and trainings have been a sore-spot for many technical writers, especially in India. But now we have webinars, webcasts, study groups, Q&A and discussion forums, courses through streaming media, portals for learning and sharing, interactive course materials, free snippets of information, codes, and online certifications. Global training and certifications are now available at the click of a mouse, and what is most important is that information regarding upcoming trainings and certifications is widely published, and archived data is available.

Broadcast abilities are the inherent baseline for social media; and broadcast is significant for technical writer both for personal growth, as well as for organizational growth. Social media gives technical writers ample opportunity to showcase their skills, advertise their potential, explore free-lance or newer job opportunities, and maintain competitiveness. Companies are also becoming increasingly aware of the need to leverage the broadcast benefits of social media, and in this context the role of technical writers will expand to envelope corporate blogging, online publications, professional writing for social media campaigns, building learning communities, and redefining user experience.

Information, and loads of it, is available at your finger tips; and information is fodder for technical writers. It is evident that social media scores over traditional media in terms of its reach, amongst other things. By virtue of free accessibility, and also pronounced recency of information, social media has become the first choice of all technical writers to seek information. Google search inadvertently leads the searcher to twits, and blogs, forums and wikis, and technical writers are becoming highly informed with each passing mouse-click.

Social media, however, is transient, controversial and highly transparent. Information can be edited, and changed almost instantaneously. There are chances of information overload, and hence the need to intelligently sieve the relevant from the irrelevant, the biased or personal from the impartial and globally relevant. Inductive and deductive reasoning and controlled rhetoric are the two factors that can help technical writers to determine the social media and profiles that they should follow and contribute to.

While social media can help technical writers to “sharpen their claws”, overindulgence can also lead to reduced quality of thought and writing. As technical writers it is our personal responsibility to know when and where to draw the line. When associated with organizations, we have to remain conscious of intellectual property, confidentially and expected decorum in all our communication. Social media has transformed technical writers and information gatherers into publishers. As our written word reaches out to billions across time and geographies, we have to appreciate and accept our increasing responsibilities as mature and informed writers.

 

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Words and words are all I have – to win this race one day

Published on Monday, July 20th, 2009

NovelRaceAmateurs wait for inspiration. The rest of us just get up and go to work.” – Chuck Close – Reader’s Digest July 2009

I am obviously and practically an amateur writer/author with only one published short story as my “claim to fame”. I have always cradled the dream (and ambition) of having at least one book published as an author. So, all this time, I kept on sharpening my claws (my pen) churning out short stories, articles, and blog posts, until the amateur in me got the required inspiration.

Samit Basu’s initiative on Twitter set the ball rolling for me. Samit Basu, the famed author of the “The Gameworld Trilogy”, initially called for a word count race on Twitter, which was further organized by YuviPanda into a Facebook discussion forum/community. NovelRace was conceived to give a touch of competition and motivation, and a drive to actually get, set, go … and write! To quote from the Introduction of NovelRace on Facebook

“The motive was simple enough – to tell each other, “Write, bugger, write.” And perhaps to point and laugh when you’re ahead. So here’s where we are right now. Finish a novel (‘novel’ here would mean anything – screenplay, play, graphic novel script, non-fiction or, of course, fiction – exceeding 60,000 words) by October 31st. Meet on Twitter, update, heckle each other, make a tally every weekend, and bitch. Everyone is welcome.

As Samit says, there’s no real group objective beyond going “DAMN, he/she is 5K words ahead again!”

Perhaps we should also add that this is far less structured than things like NaNoWriMo. There are no rules, no one’s checking your work, what you do with your finished book afterwards is entirely up to you. Also, no real rules as far as eligibility is concerned – you just need to want to finish your book/screenplay/play/comic, it should be a full-length piece that would serve as a first draft that you could show publishers after editing. Thassall.

Even the word count guidelines we’ve set up are, like the Pirate Code, just guidelines. Don’t ask us whether your work is eligible. It is. Write it.”

When I came across NovelRace, the occurrence was aptly complimented by the fact that I had three stories running parallel in my mind, but had not yet penned them down. This made the search for a theme for my novel a cakewalk, as I decided to thread the three stories together with a common event and/or a series of event and then just go with the flow.

Thus motivated, I upgraded from bystander mode to a competitor role. Within fifteen days, I reached the 20000-word count mark, and according to the NovelRace discussion forum, actually had a sample ready. Though I am still refraining from spilling all the beans (and the marketing masala), I thought it would be nice to put up something on my blog to generate interest (particularly, publisher interest).

22000-words plus and obsessively attached to this “creative adventure” here’s what I imagine on the back cover of the novel –

“Destiny charters the course in the life of three different women, as a local scandal makes the headlines. Over a course of chance and then planned meetings, the three women find themselves being influenced by each other’s experiences, consequently redefining their lives to follow singular courses.”

Each of the characters is from a different walk of life, with distinctive personalities, challenges, and dissimilar ways of handling circumstances. When they meet, a little color of each one’s attitudes and experiences rubs on to the other and is eventually reflected in the decisions that they go on to take for themselves. To introduce the stories of each of the three female protagonists, and then the concluding section I wrote down a few verses. I hope it helps to bring out some of the flavor of the story and the characters.

The Path of Hope

Meandering through alleys cobbled with stones

As grey as the ash flicked from a burning stub;

The melody of love touches her and stirs the senses

Leading her to a path of hope lying beyond the curb.

The Trail of Belief

In the realm of her simplest dreams and desires

In the dominion of her wildest fears and frets;

Seeking refuge and respite from the searing fires

She awakens, and gradually, the trail of belief treads.

The Passage of Trust

Struggling to find roots in the crevice of a rock

Craving to fulfill a promise bursting at its seams,

She tenderly gathers the weak tendrils running amok

And embarks on the passage where trust gleams

At the End of the Road

Beyond the previous bastion of their lonesome strife

Across the rickety bridge transcending the valleys

Of stifling despair, of broken trust, of shattered belief

Traversing an uncharted course to flee the gullies

They are borne by a twist of fate and a turn of destiny,

At the end of the road, right into the arms of serendipity.

I am hoping to receive some attention and responses on this blog post because I am working very hard on this initiative, considering that I have a full time job (and a hubby). For live scores, visit http://novelrace.in. Until I slog it out, here is another quote from Reader’s Digest July 2009, to keep me inspired.

“You can’t use up creativity. The more you use, the more you have.” – Maya Angelow.

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The Red House on the Hill Top

Published on Friday, July 3rd, 2009

HouseAn inconspicuous path led away from the main mountain road. Had they not been looking for it, they would have definitely missed it. Earlier, Swarna had espied a quaint looking red building at the top of a hill and encouraged Manas to find a way to reach the house, or whatever it was, so that she could take a few photographs.

“We have passed so many other brightly colored and interesting edifices but what’s so attractive about that building that you want to actually go knocking on the door?” Manas was always surprised by the obscure things that caught Swarna’s eye and how she always wanted to tread the unbeaten path. Although he readily agreed to most of her plans, he sometimes felt disconnected from her when he couldn’t share her passion for the wild and the weird.

“I was just imagining the scenic splendor that must be visible from that height. Just think, the kind of fun the people living up there must be having, enjoying the fresh mountain air and looking down at the world below.” Swarna answered animatedly.

Manas smiled at her enthusiasm. He stopped at a roadside eatery and asked the onlookers about the way to reach the red building. The bunch of local people remained quiet and then one person asked him, “Babuji, why do want to go there?”

“Just like that! In fact what is that structure?” He answered and inquired in one go.

“It’s supposed to be an old summer house of a military officer, and has been uninhabited since a long time. I would suggest that you don’t go there.”

“Why?” Swarna leaned over Manas.

“Bibiji, there are stories regarding that area, about strange sightings and sounds. Moreover, the path leading to the house is tricky and uneven.”

“Wow!” Swarna’s eyes lit up instantly. She prodded Manas, “Take the directions, we must go there and see for ourselves.”

After Manas had taken the directions, he teased her that she was a witch because she had picked up the strange vibes of the place and had entrapped him to take her there. Their conversation stopped as they started looking for the narrow path that would appear at the side of the mountain road. They nearly missed it and had to reverse the car to finally hit the path. The way was rocky, constricted and was a long uphill drive and Manas had to concentrate on the driving.

They eventually came to a fenced area, and wooden gate lay invitingly open before them. Swarna clapped in glee. Manas drove into the wicket gate, and before them rose an imposing house, that was spherical in shape. They parked the car, and walked up the steep climb to the two pillared open gateway that was the entry point to the house.

The chaste mountain sun was glaring down at them, but a cool, rather cold wind was also blowing. They thought it was the altitude but there was a distinct change in temperature since they had parked their car and trudged towards the house. The house, rather a red-brick bungalow, was at an elevation and they climbed up the stairs to the high plateau. It was a glorious sight from there. They could clearly see the play of nature, as one hill was lighted up by the sun, and another was hidden behind a growing mist, that implied that it was raining on that part of the ranges. The opposite side, had a rich growth of cacti and a mountain range dotted by dwarf-like city structures, was clearly visible. They stood spell-bound for sometime till Swarna took out her camera to take photographs.

Manas, in the meantime, surveyed the spherical premises of the building. The exteriors were clean and well kept, and on treading the narrow path around the bungalow, he came upon a flourishing flower garden. He called out to Swarna to capture the beauty of the mountain roses and lilies. Swarna’s attention was captured by the garden and then by the red house.

“This place is well-maintained. There must be a caretaker or even occupants. But that man at the dhaba said it was uninhabited.” Swarna thought aloud.

“May be it’s been recently occupied, or maybe that person was only scaring us, or else wasn’t even aware of what’s going up in this misty abode.” Manas offered some reasoning.

“Let’s go and see if someone’s around so that we can get some more information.” Swarna’s eyes were lit up as if she had stumbled upon an adventure.

They encircled the house and peered into the windows, but all were heavily draped. They went along testing the doors but each one was padlocked.

The sound of a door creaking behind her made Swarna stop in her tracks. She had heard the click of a handle and the distinct sound of a door opening, very close to her, but she was sure that the door that was few paces behind her was firmly padlocked. Swarna hesitated for a moment and then carefully looked over her shoulder. A man was staring directly at her, a blank expression on his face. She wanted to scream, but only a whimper escaped her lip. Almost instantly, she saw Manas appear from the bend, and she relaxed a bit.

The man turned towards Manas and said in a clear and deep baritone, “I heard some sounds in the garden, and then you probably knocked on the doors. I woke up from my afternoon siesta, a little surprised, because no one comes this way.”

“We apologize for disturbing your sleep, and trespassing on private property. We were inquisitive and also attracted by this beautiful house that you have so high up on the mountains. But, we will leave now, and not bother you further. Come, Swarna.” Manas apologized, and gestured at Swarna to join him.

“No, no, be my guest. I get to meet hardly any people and I would like to enjoy your company. In fact, I was going to set up a barbeque and it will be good to share.” The man answered in the same stern baritone and his request seemed almost compelling because of the lack of warmth.

Manas looked at Swarna, who had regained her spirits, and was once again feeling adventurous. She also felt bad for the lonely occupant of the household. She smiled at Manas to express her approval for accepting the invitation.

“If you say, Sir, but we don’t want to intrude or trouble you.” Manas could hardly believe what he was saying. For a moment, he felt strange under the scrutiny of this man, who displayed neither emotions nor expressions, and yet, he didn’t feel like declining the invitation.

“Please, join me, inside.” The man signaled. As Swarna crossed the threshold, she glanced at the door handle, and saw a lock hanging from the latch. “So, this was it; a camouflage and I thought the door was actually locked.” She assured herself.

Inside the bungalow, they were surprised to see polished antique furniture. The house offered an old-world charm, as if they had stepped into a house that was first furnished and equipped, nearly half-a-century back. They had entered directly into the dining room, and followed their host across the room into the mahogany furnished, musky-smelling living room. The room was neat and they settled in the plush yet worn out sofas. The tables were decorated with crocheted dollies, which had taken a distinct yellow color. Gilded photo frames hung on the walls, and displayed black-and-white photographs from another era. Their host occupied a rocking chair, and fixed a steely gaze at them.

“I am retired Colonel Kamdar. This has been my home, since I came to this hillside years ago leading troops to guard the surrounding hills from the rebel Rajas.” He offered information about himself.

Listening to him, Manas, wondered about Colonel Kamdar’s age. He must have seen at least sixty decades of his sunrise and sunset, and yet, there was not a wrinkle on his face. The slight graying of the hair at the temples was the only giveaway of eventually fading youth. His hands were clean, manicured and oddly free of wrinkles, though not plump, and the blue veins were clearly visible. Manas thought that the mountain air, free of pollutants, and invigorating, was the perfect antidote to advancing age.

Their host got up and walked out of the room with steady steps. Manas and Swarna sat there stupefied and silent, only extending their hands to grasp each other’s palms. TheiRainr eyes darted over the place, looking at the  photographs, artifacts and antiquity, their reverie broken by the sound of thunder and the unexpected gush of slanting rain against the window panes. Manas went to the window, facing the garden, lifted the heavy drapes and peered outside to witness a darkening sky and heavy rains. Within minutes, a pleasant and bright evening had turned into dusk.

“Rains in the hills are sudden, but fleeting.” The voice left a shiver down his spine and he turned abruptly to face his host. Swarna got up to take the tray that he had carried into the room. The tray held a crystal decanter and three crystal glasses.

The retired Colonel settled in his rocking chair, requesting them to help themselves to the vintage drink. They politely filled their glasses and slowly sipped the grape wine, making small conversation. They waited patiently for the rain to stop, but it continued to pour cats and dogs. They debated on the danger of driving down with sheets of rain obscuring their view, but they didn’t want to overstay the Colonel’s hospitality. However, the Colonel insisted that they should stay back for dinner and spend the night at his house.

“Once the rain stops, the skies would be filled with the most enthralling view of brilliant stars, and the garden would be lighted up by fireflies. Though, we will have to make do with some light meal as my cook hasn’t come in because of the rains.” The Colonel took out a jar of pickled deer meat, loaves of bread, and dried apricots. Manas and Swarna had a packed a meal for the way, which was in the handbag that Swarna carried. They laid the table, and sat down to eat. The Colonel nibbled at his food, but regaled them with tales of valor and war.

When the conversation, slowly died down, Manas asked, “We met some locals on the way and they nearly believed that this place was haunted.” A glaze came over the Colonel’s eyes and his posture become stern and tense, as if it would unexpectedly give away under an unseen pressure. “The untaught make up stories to vile away the already wasted time in their lives.” He responded in an equally stern and tense voice.

When Swarna and Manas saw that the thunderstorm had failed to abate, they reluctantly agreed to spend the night in the red house. They were led into the guest room, which once again gave a smell and distinct feel of the distant past. They quickly retired for the night and as a cold draught entered the room and the night howled outside, they snuggled into each other for safety and warmth. Thus, nestled they let the night and the wind play on the throes of their passion, and the magic of the hills beyond brought them together in pure ecstasy.

The first light of dawn woke up Manas, and he peered out of the window to witness the sky was clear, and the sun was rising from the embrace of the emerald mountains. The tree outside the window was crystal studded with the last drops of last night’s downpour hanging in blissful union with the jade leaves. Manas stretched his arms wide, took a full-breath of the air, and reached for the bedroom door, with shuffled steps. As he opened the door, his heart skipped a beat, and a cry rose up his throat.

Sitting at the dining table, staring straight at the guest room door, and now at Manas, was the glaze eyed Colonel, his white shirt unbuttoned, nursing a long-untouched drink. When Manas realized it was only the Colonel, he said a hearty good morning. The Colonel responded with a nod, and reached for the collar of his shirt, to cover up his bare chest. Manas followed the movement and for a split second he glimpsed at a raw, red, and scarred flesh on the Colonel’s chest. He gasped but when the Colonel fixed his shirt and rose in a swift movement, Manas shrug away the memory of what he saw, and went back into the room to wake up Swarna.

Somehow, in the bright light of the golden sunrise, Manas and Swarna felt an urgency to get back on the road. The Colonel also didn’t extend his hospitality further and they thought that they had already overstayed their invitation. They quickly went about their business, bid a hasty yet warm good bye to the Colonel and went down the steps to their car. As they closed the car doors and strapped their seat belts, they didn’t hear the soft click of key in a padlock, as the door to the dining room of the bungalow was locked once again.

___________________________

When Swarna discovered she was expecting, she wasn’t very happy. The unplanned pregnancy threw water over all their plans for a world tour in December. For a long time, Manas and Swarna contemplated a termination of the pregnancy, but each time a fear of karmic debt made them change their mind, for they had been deeply involved in spiritual pursuits.

So, they decided to bring the child into their world. All went smoothly for Swarna, except for the sudden chills that shook her body, and for which the doctor didn’t have any diagnosis, except for fatigue and weakness. In the second trimester, Swarna would get up in cold sweat almost every other night, and said that she felt that somebody was watching her while she slept. The doctor attributed the delusional beliefs to anxiety and sometimes to excitement. When her figure had become definitely rotund, and her belly proudly proclaimed her pregnancy, Swarna swore that she felt strange external movements on her stomach, as if somebody was caressing the taut skin. The doctor said it was psychological fear of stretch marks.

Finally, all doubts, fears, anxiety, and impending excitement, led to the birth of a healthy and active baby boy. Swarna and Manas were elated by the new addition in their family, and little Swapnil became the cornerstone of their existence. Swapnil was a strong and active child but sometimes he had a faraway look in their eyes. They attributed his dreamy nature to the fairytales Swarna loved to believe in and read during her pregnancy.

As Swapnil grew up, Swarna and Manas rekindled their adventurous streak. When Swapnil was four years old, they planned a trip with another couple to the hills. On their way back from an exhilarating and relaxing trip, Swarna recalled the red bungalow at the top of a hill. She insisted that since it was on the way they must pay a visit to the elderly gentleman, who lived there. So, they took a detour and soon the red bungalow was in sight. The house and the surrounding area looked unkempt. The garden had dried down, the fencing broken and moss had grown on the walls. Manas said a prayer quietly, and whispered to Swarna that the Colonel might have passed away. Swarna nodded her head, but went directly to the door that led to the dining room. She sadly looked at the rusted padlock, and then saw a broken wiring in the mesh of a window. She shielded her eyes with her palms and looked inside through the peephole. A wall in the drawing room was clearly visible over the hazy silhouettes of the dining chairs. The gilded photo frames were rusted, and old.

Swarna gazed at the photographs in her limited line of vision, and her eyes fell upon a photograph that she didn’t recall seeing before. It was the photograph of a young uniformed officer. What captivated her was the striking resemblance of the photograph, with some she knew. She realized that it looked like the photograph of Colonel Kamdar in his younger days of conscription. And yet, the photograph resembled someone else, too. She stood their raking her mind, and when she could place the recognition, her heart started pounding against her ribcage. She called Manas, and whispered something in to his ear. Manas also peered inside, looked at the photograph and his face grew pale. He quickly pulled Swarna aside, called his friends, scooped Swapnil up in his arms and hastened away from the premises of the red house on the hill top.

That night, Manas helped Swapnil changed into his nightclothes, and gently touched the red colored birthmark on the right side of Swapnil’s heaving chest.

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